The topics outlined here, are not individual workshop titles or compartmentalized study. They’re suggested topics that certainly, in my experience, have vast connectedness with each other. This is where the “personalized” nature of my teaching becomes more than rhetoric; your and my ability to choose and interconnect topics and willingness to add or subtract on the fly as our educational dialogue evolves.

•] Truth Made Visible (The Nature of The Photographic Act)

•] The Camera-Photographer Relationship (The Camera’s Viewing System Defines the Relationship)

•] Your First Editing Tool: The Frame (It's Not a Zero-Sum Game!)

•] Want to Produce More Interesting Photography? (Become a More Interesting Person)

•] Define Your Truth… Then Make it Visual (Shoot Things You Care About)

•] Understanding Where You Are (Otherwise Known as Landscape Photography)

•] Honest Portraits are a Chance Collaboration (Ambiguity is Welcome)

•] Focal Length and Proximity to Subject (Degrees of Abstraction)

•] Camera Formats and Aspect Ratios (Influencing the Viewers Attention)

•] Non Visual “Signature Style” (Embedded Style Your Viewers Feel, But Can't See)

•] Camera Exposure (Opening the Door to Interpretive Seeing)

•] Digital vs. Analogue: The False Debate (Two Paradigms With More in Common than You Think)

•] A Flexible and Expandable Approach to Photoshop (Warning: Un-Intimidating Content).

•] Limitations (The “Flint” That Starts Your Creative Fire)

•] Cooperating With Your Materials and Tools (Not The Other Way Around)

•] Bring Specificity To Your Photography (Not “Signage”)

•] Myths and Truths Regarding The Fine Print (Process & Material Artifacts are OK)

•] Intro to Post Editing (Finding Your Voice in The Pile)

•] Conceptual Portfolio Building (The Sum is Greater than the Parts…But Every Part Counts.)

•] Interpreting Architecture and Interiors (Making 3D into 2D; and back again.)